Date/Time
Date(s) - February 22, 2024
5:30 pm - 8:00 pm

Location
Gregory Allicar Museum of Art, University Center for the Arts


Charley Friedman Artist Talk & Reception

Presented in conjunction with Charley Friedman: Soundtracks for the Present Future

University Center for the Arts Organ Recital Hall, Thursday, February 22 at 5:30 p.m., reception to follow

Charley Friedman Artist Talk and Reception: Listen to Charley Friedman talk about the development of Soundtracks for the Present Future, on view in GAMA’s Griffin Foundation Gallery from January 17 to April 7, 2024. Friedman will be introduced by exhibition curator Rachel Adams, Chief Curator and Director of Programs at Bemis Center for Contemporary. A reception will follow in the museum’s Robert W. Hoffert Learning Center.

Free and open to all!

 

About the artist

Charley Friedman Artist Talk and Reception
A split image of Charley Friedman’s archival digital prints Untitled (Chuck Close), 1998 on the left and Untitled (Chasid), 2008 on the right. Both 4′ x 3′. Taken from www.charleyfriedman.com.

“Exploring the ways that images and objects take on value from sacred to consumable, my work questions how symbols become meaningful and how society agrees to this assignment of value.”

Charley Friedman is a Pollock-Krasner Foundation grant recipient, a two-time Rema Hort Mann Foundation nominee, and a Smack Mellon “Hot Picks” artist. He has exhibited and performed extensively at galleries and institutions internationally, including MoMA PS1, The Queens Museum, Crystal Bridges Museum of American Art, OMI International Art Center, The Fabric Workshop and Museum, Pulse Miami, Barbara Mathes Gallery, Paul W. Zuccaire Gallery at Stony Brook University, VOLTA NYC, Joslyn Art Museum, Sheldon Museum of American Art, Museum of Nebraska Art, and Nina Johnson Gallery.

His work is in the collections of Walker Art Center, Brooklyn Museum, New York Public Library, Stanford University, Sheldon Museum of Art, and the Karen and Robert Duncan Collection of Contemporary Sculpture. Selected publications include The New York Times, Wall Street Journal, and Miami Herald.

Friedman received his Master of Fine Arts degree from the School of the Museum of Fine Arts, Boston/Tufts University in 1996, attended Skowhegan School of Painting and Sculpture in 1995, and received a BFA from Macalester College in St. Paul, MN. Residencies include Fountainhead, Norton Island Residency, Bemis Center for Contemporary Arts, MacDowell, and PV Arts and Crafts.

He lives and works in Lincoln, Nebraska, where he co-founded and co-curates Fiendish Plots. charleyfriedman.com

 

 

Charley Friedman: Soundtracks for the Present Future (installation view), 2021; Bemis Center for Contemporary Arts, Omaha, NE; Photo: Colin Conces.
Charley Friedman: Soundtracks for the Present Future (installation view), 2021; Bemis Center for Contemporary Arts, Omaha, NE; Photo: Colin Conces.

About the exhibition

Charley Friedman: Soundtracks for the Present Future was originated by Bemis Center for Contemporary Arts and curated by Rachel Adams, Chief Curator and Director of Programs.

Charley Friedman: Soundtracks for the Present Future is an immersive, auditory installation that combines nearly 60 second-hand guitars, mandolins, and basses to create a singular instrument. Suspended from the ceiling in a constellation, the instruments form a labyrinth of sounds and vibrations that perpetually shifts as viewers navigate the work. Through computer software, the instruments “play” various compositions ranging from classical European music to new or recent compositions modified for this installation. By exploring the diverse styles, genres, and techniques of the medium, Charley Friedman calls forth the imprint music can make.

Music has the power to stimulate a spectrum of emotions and memories, which, in turn, can build human connection and empathy, and, at times, locate common ground. This work aims to both dissect and affirm one’s relationship to music as a catalyst and as an art form. Together, the instruments highlight the power and harmony of a collective voice, while never deafening the unique character of the lone guitar.

The installation loops through original pre-programmed compositions, creating an ever-changing soundscape with no concrete beginning or end. As the participant moves through the installation, certain notes take prominence based on their proximity to each instrument. This allows for a completely individualized and self-directed experience with the compositions, giving each individual the ability to affect the experience they have. No interaction is ever completely repeatable.

 


Support

Charley Friedman: Soundtracks for the Present Future was originated by Bemis Center for Contemporary Arts and curated by Rachel Adams, Chief Curator and Director of Programs.

Bemis Center for Contemporary Arts

This exhibition and related programming at Gregory Allicar Museum of Art are supported by the FUNd Endowment at CSU, and by a grant from Colorado Creative Industries. CCI and its activities are made possible through an annual appropriation from the Colorado General Assembly and federal funds from the National Endowment for the arts.

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